Sunday, March 23, 2014

The Dinner Party by Judy Chicago

While researching the of a dinner party I found many references to Judy Chicago's  The Dinner Party.  I decided to research this work and have posted pictures and text about the work from the Brooklyn Museum.





The Dinner Party by Judy Chicago is an icon of feminist art, which represents 1,038 women in history—39 women are represented by place settings and another 999 names are inscribed in the Heritage Floor on which the table rests. This monumental work of art is comprised of a triangular table divided by three wings, each 48 feet long.

The principal component of The Dinner Party is a massive ceremonial banquet arranged in the shape of an open triangle—a symbol of equality—measuring forty-eight feet on each side with a total of thirty-nine place settings. The "guests of honor" commemorated on the table are designated by means of intricately embroidered runners, each executed in a historically specific manner. Upon these are placed, for each setting, a gold ceramic chalice and utensils, a napkin with an embroidered edge, and a fourteen-inch china-painted plate with a central motif based on butterfly and vulvar forms. Each place setting is rendered in a style appropriate to the individual woman being honored.
Wing One of the table begins in prehistory with the Primordial Goddess and continues chronologically with the development of Judaism; it then moves to early Greek societies to the Roman Empire, marking the decline in women's power, signified by Hypatia's place setting. Wing Two represents early Christianity through the Reformation, depicting women who signify early expressions of the fight for equal rights, from Marcella to Anna van Schurman. Wing Three begins with Anne Hutchinson and addresses the American Revolution, Suffragism, and the movement toward women's increased individual creative expression, symbolized at last by Georgia O'Keeffe.
The Dinner Party rests upon the Heritage Floor, which is an equilateral triangle forty-eight feet on each side. This monumental floor is comprised of 2,300 hand-cast porcelain tiles and provides both a structural and metaphorical support for The Dinner Party table. Inscribed in gold luster are the names of 999 mythical and historical women of achievement, who were selected to contextualize the 39 women represented in the place settings and to convey "how many women had struggled into prominence or been able to make their ideas known—sometimes in the face of overwhelming obstacles—only (like the women on the table) to have their hard-earned a chievements marginalized or erased" 

Aftermath of a dinner party

For my thesis painting I have stretched a ten foot by five foot canvas.  On the canvas I have an idea that I want to paint the interior of a home after it has been ravaged by guests after a night of merriment.  I am still uncertain if I will be incorporating the figure or referencing the figure through objects and view point.  The works below are paintings that I have looked at that that have inspired me to create a painting of what the setting looks like after all the figures dissipate from it.

Edvard Munch, At The Dinner Table

 Lucien Adrion, The Dinner of Artists Making up by Monsieur and Madame Paul Petrides
 Augustus Renoir, Luncheon off the Boating Party
Jules Alexandre Grun, The End of Dinner

Tuesday, March 11, 2014

Figure or references to a figure?

Struggling with whether I should keep the figures in my work or if I should take them out.  Below is my first attempt at a painting with not figure…

Byblos

Tuesday, February 25, 2014

More Artists

More artists that I'm considering....
Alice Neel
Paula Rego
Fairfield Porter
Lucien Freud
Francis Bacon
Max Beckmann
Chaim Soutine
El Greco
Eric Fischl
Gaugin
Dana Schutz
Judith Linhares
Leon Golub
Neo Rauch
Mamma Andersson
Michael Borremans
Luc Tuymans
Peter Doig
Elizabeth Peyton
Hernan Bas
Marlene Dumas
Alex Katz
Mickalene Thomas
John Currin
Lisa Yuskavage
George Condo

Thursday, February 20, 2014

More New Work

Here are some recent works that I have done.  Although I'm not sure if they are complete.




Monday, February 17, 2014

New Work

Heres a look at some new paintings that I have been working on






Monday, February 10, 2014

New semester, new artists

Artists and their work that I am looking at this semester……

Dan Schein




Dufy




Rainer Fetting




Wednesday, December 4, 2013

New work for painting final


My progress for for my painting final on Monday, December ninth....





Finished with this work

This work is half way done.  I'm going to enlarge the truck and mix better colors for the items inside the vehicle.

This work is finished.

This work is not done.  I still need to fix the figure left hand, paint in the ducks and fix some shadows.

Sunday, November 24, 2013

Article on Isa Genzken

Found an Interesting article that was recently published in the NY Times by Randy Kennedy, profiling the artist Isa Genzken.  She is currently having her first retrospective at MOMA, which has apparently been long over due.  Reasons for the long anticipated exhibition has been cited for her bipolar disorder and even her battle with alcoholism.  With these issues under control, Genzken is happy to be in New York and showing her work at MOMA.

To read the full article click on the link below!
http://www.nytimes.com/2013/11/24/arts/design/no-it-isnt-supposed-to-be-easy.html?smid=fb-share

Sunday, November 17, 2013

New Work

How should I add to these? Should anything be changed? Still struggling with adding more...

knowing when a painting is done

This semester in Painting three my teacher has tried to get us to produce work very fast.  Up until two weeks ago we were making seven paintings a week.  My method to completing these painting was producing one painting every studio session and never going back into it.  Now that our class is beginning to make work for the final critique, I'm struggling with going back into the painting that I perceive as finished.  I think the seven paintings a week was a good assignment in getting us to make a lot of work in s small window of time.  However this assignment has inhibited my ability to  know when a painting is done and how to add to paintings.  For the rest of the semester I am going to try to work on adding to my paintings and not completing them in one sitting.  

Pictures of work I have made in one sitting.  You decide if and how I should add to them.


  

Monday, November 11, 2013

Monday, November 4, 2013

Work that I really enjoyed from a few different Chelsea Galleries that I visited on November second.
This shopping bag with fabrics was created by Harmony Hammond.  Its is located at Alexander Gray Associates  and will be on display until December 7.  


This work is by Allison Elizabeth Taylor.  She is a Brooklyn based artist that uses a limited palette and natural wood.  This work and many others can be seen at the James Cohan Gallery until November 30th.






Tuesday, October 22, 2013

New work!

Just wanted to put some pictures up of some new work I made last week!